Libor Mašek (cello), Jan Krejča (theorbo) (Supraphon) ...
The National’s latest production of Hamlet opens with a bang: a sureness of style, atmosphere and refreshing comedic effect, ...
It’s funny: people say a lot online that what you’re allowed to like and dislike in music is bounded by age, gender and so ...
The revival of Robert Carsen’s production of Handel’s Ariodante at the Opéra Garnier in Paris under the direction of Raphaël ...
Like Water for Chocolate, Royal Ballet review - splendid dancing and sets, but there's too much plot
Christopher Wheeldon has mined a new seam of narrative pieces for the Royal Ballet, having started out as a supreme ...
Tate Britain’s Lee Miller retrospective begins with a soft focus picture of her by New York photographer Arnold Genthe dated ...
Like fellow New Yorker, Lee Miller, Lee Krasner changed her given name, the better to be accepted into what she called "The ...
Kahchun Wong’s second Bridgewater Hall concert of the new season was partly an introduction to the Hallé’s ...
Shooter, son of Waylon Jennings, discovers a tranche of his father’s personal multitrack tapes from the analogue years, ...
Urchin feels like a genuine moment in British cinema. Thematically, it offers a highly original, thoughtful, affecting ...
This genial oddity – its pithier French title is Complètement Cramé, meaning something along the lines of completely burnt ...
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