New York, October 27, 2026— This November, Aperture will release Josef Koudelka: Invasion Prague 68 in a hardcover format.

Walker Evans was given a major exhibition at the Museum of Modern Art in 1971. That same year, Evans and his friend Leslie George Katz, publisher of Eakins Press, collaborated on an extensive ...

Schiaparelli: Fashion Becomes Art at London’s Victoria and Albert Museum is an object lesson in how Surrealist fashion still carries the potential to provoke and scintillate. The successful revival of ...

Dionne Lee: Currents brings together key works from over a decade of Lee’s career, offering a deeper look at a visionary artist reshaping how we see—and choose to imagine—the great outdoors. In this ...

In 1984, Jack Pierson drove to Miami from New York, intending only a brief vacation. He ran out of money, found work bussing tables in South Beach, and stayed for six months—an interval he would later ...

Remember that the familiar was once a stranger. In the late 1960s and early ’70s, when William Eggleston began photographing in color, he traveled to what he described as the “foreign landscapes” of ...

Having begun a modeling career at fourteen years old, Michella Bredahl felt the intrusions of a camera’s gaze early on. By contrast, her own portraits of young women, many with unstable upbringings ...

In mural-scale portraits of high schoolers, soldiers, and other social types, Heinkuhn Oh subtly dramatizes tensions between collective and personal identity in Korean society. “I don’t try to create ...

Sara Cwynar is a Vancouver-born photographer, filmmaker, and installation artist living in Brooklyn. She is best known for vibrant collages that evoke the dopamine-driven feeds of social media. To ...

How to see America—in all its vast, messy contradictions, in a way that makes an argument, even a partial one—for what it is without smoothing over the simultaneous glory and pain that have structured ...

Zack Hatfield: When did your interest in still photography begin? Yorgos Lanthimos: I went to film school when I was nineteen. I bought a camera and started taking pictures randomly, without any ...

Look at the core of Western modernism. See the Blackness. See African aesthetics. Or, rather, see the ways that Western modernism claimed to know these aesthetics but failed to do so. See through a ...