Angus Batey carefully places Death Certificate, one of hip hop's most offensive offerings, in the context of its 1991 release ...

A startled Jocy de Oliveira looks out at the sea: it’s well past time the grand piano should be brought ashore. She oversees ...

Melting Pillar of Snow is a dense exploration of time and decay that feels more like a static monument than a living listening experience ...

The festival of leftfield electronic music is back for a second year, featuring live performances by Nik Colk Void, Sculpture ...

The Flaming Lips have a new album on the way, titled The Teardrop Throbs. Featuring 13 tracks, the record marks the band’s first release for Jack White’s label, Third Man Records. It’s the band’s ...

Throwing Muses’ self-titled debut album is being reissued to mark its 40th anniversary. The album has been out-of-print for ...

Based on transcriptions direct from tapes found at a jumble sale, the latest from Oliver Leith may be the ideal entry point ...

If Marr doth protest too much, then on his latest album The Age Of Everything, he appears to be reclaiming his Smiths legacy ...

Avalanches weave a satire on branding and tech enshittification complete with skits by Mike Patton and Haley Joel Osment ...

Claire Biddles and Fergal Kinney wonder whether Robbie Williams' pivot to hip hop album Rudebox was outsider art or just a ...

Darran Anderson looks back 25 years to Pulp's 'farewell' album from 2001 – We Love Life – and asks why did it fall by the ...

I’ve not yet jumped on the discourse bandwagon about 300SkullsAndCounting & Jenny Sparks, debates over whether its treatment of millennial aesthetics is an act of hackneyed recycling or innovative ...