Michael Sarnoski’s dying outlaw in The Death of Robin Hood tests, after a remorseful confession, who controls the past.

As we near the end of the year, many heavy hitters tend to gather between October and November. This month is no exception, with a mix of established acts and newcomers making an appearance. On the ...

The sound of the 2010s was still taking shape. Taylor Swift was moving toward pop dominance. Mumford & Sons was leading a folk revival. Obama-era indie rock was soaring like a Foster the People chorus ...

Anne Carson's oeuvre bridges the gulf between Homer and Gertrude Stein while ignoring, subverting, and toying with everyday ...

Carlos Saldanha’s 100 Days turns an extraordinary Atlantic crossing into a portrait of a man who seems less troubled by ...

It’s easy to take Sheryl Crow for granted. Her string of hits provided the easy-listening soundtrack of the 1990s and 2000s, ...

Political punks, the Iron Roses' latest collection, Molotov Nights, is their strongest yet, a state of the union that enrages ...

Great Falls absorb their influences, turning the familiar sounds of post-hardcore, noise rock, sludge, and post-metal into ...

Brixton’s The Windmill is easily the most discussed music venue of the decade. Its 150-capacity room nurtured an eccentric art rock community, birthing now-renowned acts Black Country, New Road, Black ...

On his fourth album, She's the Best, Troye Sivan's elusive search for connection finds him languishing in the party's ...

The Encore, Taylor Swift does little to change the original album's reception, but offers harmless fun nonetheless.

Calling Antonín from James Brandon Lewis' Red Lily band is another rollicking but meaningful statement from one of the most ...