The major survey repositions the French artist as more than a Neoclassicist, emphasising instead his realism and idealism ...
Jacques Louis David, "The Oath of the Tennis Court" (1791). pen and brown ink, pen and black ink, brush and brown wash, heightened with white, over black chalk, with two irregularly shaped fragments ...
The Louvre celebrates the French master—who painted for Louis XVI before morphing into an ardent revolutionary and then a portraitist of Napoleon—with an exhibition marking the bicentennial of his ...
Jacques-Louis David (1748-1825) was France's greatest artist of his generation—a generation trampled by the French Revolution and then by Napoleon. David acted out the raging contradictions of the ...
The career of Jacques Louis David, who came of age as an artist on the eve of the French Revolution, is often mapped in his history paintings that line the walls of the Louvre’s Grande Galerie. In ...
David’s original painting of Antoine Laurent Lavoisier and his wife depicted the couple as self-indulged nobles rather than liberal leaders of science. Met conservator Dorothy Mahon performs ...
In 1788, Jacques Louis David painted a full-length double portrait of the chemist Antoine Laurent Lavoisier and Marie Anne Pierrette Paulze Lavoisier, his wife and scientific collaborator, casting ...
In a case of movies imitating art, and art imitating life (or some jumble along those lines), Jacques-Louis David’s monumental history painting depicting the moment Napoleon Bonaparte was publicly ...
“Jacques-Louis David Meets Kehinde Wiley” at the Brooklyn Museum: installation view; photo: Jonathan Dorado (all images courtesy the Brooklyn Museum) In a grand decorated, nicely theatrical gallery, ...
85 x 132 cm. (33.5 x 52 in.) The present work depicts the death of Lucius Annaeus Seneca the Younger (c.4 BC-65 AD) as described by Tacitus in the Annals (XV, 60-64). Emperor Nero, who stands on the ...
Portrait of the Sisters Zénaïde and Charlotte Bonaparte, 1821, Jacques-Louis David. Oil on canvas, 51 × 39 5/8 in. The J. Paul Getty Museum, 86.PA.740. Awkwardly embracing on the corner of a plush red ...
Several years ago, the conservation lab at the Metropolitan Museum of Art received a painting by the 18th Century French artist, Jacques Louis David. The task was to simply remove varnish to make the ...
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